（选自书籍）室内设计：概念基础外文翻译（英文）

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1、 Anthony Sully B asis Interior Design: Conceptual 5.5 nclosure Typically, this will consist of foors, walls and ceilings and will form the major determinants of the kind of interior being designed. Advanced technology of mate- rials and CAD systems have enabled designers to merge the forms of walls

2、into foors or ceilings in such a way that defnition becomes diffcult, as with the par- ametric interior of the Heydar Aliyev Center in Sect. 3.11.1. Figure 5.6 shows a hemispherical space, almost akin to being inside an igloo, which merges the ceiling with the walls and is on a semicircular plan. Su

3、ch enclosures demand great 3D geo - metric skills, but these possibilities due to the wonders of CAD still have to answer the lients brief ergonomically and provide the best solution possible. Such forms demand new technology of materials and construction. The enclosure will contain the structure of

4、 the building, as well as degrees of internal space divisions, cladding and fnishes dependent upon whether the space divisions are load-bearing or non-load-bearing. 5.5 Enclosure 145 Fig. 5.6 Interior of hemispherical dome In Chap. 3 (Sect. 3.7), I refer to the possible premeditated association of c

5、ertain materials that a designer can make with regard to the foors, walls and ceilings. It is important to ignore this tendency and start with a fresh slate by working out the process of selection. Every project should be treated afresh by the designer at the outset, so that new problems deserve new

6、 solutions. I know that the more experi- enced designer has more baggage, which is likely to be carried from one project to another. By baggage, I mean certain favoured products or materials, or construc- tion techniques that have proved themselves as being successful in terms of cost and a favoured client response. In a distinguished designers work, there will be telltale signs of repeated