62亚太平面设计：传统与未来 中英文双语视觉传达平面图形设计专业毕业设计外文文献翻译成品

《62亚太平面设计：传统与未来 中英文双语视觉传达平面图形设计专业毕业设计外文文献翻译成品》由会员分享，可在线阅读，更多相关《62亚太平面设计：传统与未来 中英文双语视觉传达平面图形设计专业毕业设计外文文献翻译成品（13页珍藏版）》请在毕设资料网上搜索。

1、本文是毕业设计外文文献翻译成品，包含原文和译文，下载后直接可用，无需调整复杂的格式，欢迎下载，价格不贵！  英文 2700 字， 13805 英文字符， 中文 4468 字 。  外文标题： Asia-Pacific Graphic Design Tradition and Future 出     处：   Asia-Pacific-Design NO.8                           &nb

2、sp;               作     者：  Ulhas Moses                                        原    文：  Asia-Pacific Graphic Design Tradition and Futur

3、e As the practice of design in the 21st century enters into the realm of interaction and experience design, the rich visual tradition of Art and Design of Asia assumes a significant role for Asia-Pacific Graphic designers. With the advent of globalization and new media, technology has now become eas

4、ily Accessible to the masses and the playing field is leveled. Asian designers now have at their fingertips all the modern tools and facilities for creative expression. Considering the stunning level of design and craftsmanship that has been achieved in ancient times in Asia only with manual tools o

5、ne can only imagine an entirely new dimension of human creativity opening up with the use of digital tools. The fundamental grammar of graphic design are form and function, line and color. Semantics, iconography, metaphors, symbolism, geometric abstraction, algorithmic procedures, programmed variati

6、on, hierarchy of space and measure, grids, narrative and storytelling. Contemporary Designers can draw upon these principles which have been used with great refinement and have been perfected over centuries in the Asian methods and philosophy of design. The Asian image making tradition is entirely c

7、oncerned with absorbing, and communicating the essence of an idea and giving visible form to formless concepts and complex abstract ideas. These sophisticated image visualization and form generation procedures and techniques that have been developed, are a treasure trove for graphic designers today and can be utilized whenever concepts have to be given form. One of the most valuable traditions that Asian graphic designers can draw upon is in the imp