艺术设计外文翻译--美的传统与新生

《艺术设计外文翻译--美的传统与新生》由会员分享，可在线阅读，更多相关《艺术设计外文翻译--美的传统与新生（8页珍藏版）》请在毕设资料网上搜索。

1、 The traditional and new Abstract Its usefulness and beauty - creation of form and beauty - traditional beauty - beauty beyond the accumulation generation Its usefulness and functional beauty and its properties Function of beauty is useful in certain conditions and transformed into, including: impro

2、ving the transformation of beauty - full effectiveness is reasonable and perfect, such as the validity of the reasonable structure and material and engineering, although not to the laws of the United States as a constraint, but probably because of the laws of the United States into rationality. From

3、 the function of beauty in light of the phenomenon that the essence of it, so that we can more deeply understand the beauty. First of all, it is the natural beauty of a similar nature beauty. Secondly, the practical purpose of functional beauty by great traction. Function to achieve the purpose, fun

4、ction of beauty can be achieved. Complete with artistic beauty standards to measure product design, it is often difficult to draw the conclusion that. Similarly, simple use and certain human material needs, supplies is beautiful generally does not affect the use. Third, United States also has a soci

5、al function. Products containing the function beauty can not affected by social productivity development and aesthetic psychology historical limitations. Function of beauty is a social concept, it is not possible to beyond the limitations of history, these belong to non traditional artistic beauty.

6、Function of beauty is not useful to both beauty Function of beauty is not useful to both beauty The function of beauty as beauty of technology full, objective denied that the aesthetic value of the relative independence, the exclusion of form beauty. The specific meaning of transformation is what? F

7、irst of all, this conversion depends on the main body to take aesthetic attitude, aesthetic attitude is selective, aesthetics, aesthetic value is not purely objective, not subjective, but the unity of objective and subjective. Generally speaking, passive aesthetic feelings does not require specializ

8、ed training, but any person in the utilitarian purpose and social conditions, the aesthetic objects always have a choice. Secondly, the need to transform, it illustrates the use of value and aesthetic value are not completely the same, they are the unity of opposites. Use value bring survival condit

9、ions, and can bring the enjoyment of the material. Aesthetic enjoyment is care in enjoyment, this word is mostly used in the visual arts, and appreciation, appreciation of different. The exhibition will have enough space, monument to the broad field of vision, is to have a sufficient distance to car

10、e, the whole body visible object. At the same time, simple use and certain human material needs, supplies is beautiful generally does not affect the use. Use value and aesthetic value can not be substituted for each other. The modern design idea is the extreme importance of their unity, is not funct

11、ional, not aestheticism. 4-2-3creation form and beauty of form and content is a relative concept, content organization form, is the content of each part of the combination mode. Everything has a form, aesthetic form, refers to the aesthetic object of the whole feeling is, is also considered, auditor

12、y or tactile perception of the entity, is the content of the being of beauty. Function : the being of beauty, is the technology of beautiful form, the beauty of form. A is any thing all has the form, one is content beauty relative beauty of form. Creation of content, usually understood as usefulness

13、. So, in order to achieve useful form is the premise of the structure form. Structural forms are often influenced by the functional purpose of strict restrictions, each part as far as possible, efficient economy was integrated into a working whole. Form for the content that relative independence The

14、 so-called relative independence, refers to the form can become independent of the design elements, but in the end it is difficult from the content. He believes that a function has a variety of forms of point of view, but he is against function determines form. Consumer products of different shape c

15、hange request. We use the degree of freedom and definition two concepts to summarize, objective time Oh deeper form of descriptions of relative independence. 1forms of the degrees of freedom on the form of degrees of freedom, the form of freedom, refers to the product structure and appearance for th

16、e designer to control the extent of. The 2form of definition is followed by a form of definition, form clear high, the appearance of the product quality requirements are high. 4-2-2creation form characteristics of 1forms and content sharing a carrier such as； a Book2forms with distinctive visual des

17、cription of a creation of perception, often directly to its form, that precede the content to see its shape, color. While the content is sometimes cryptic, implication, so is the perception. 3form must have quality form material form is the physical form, is that people can perceive form the basic c

18、onditions. From form to form beauty The beauty of form beauty in form of the quality connotation is very rich: (1) the function beauty beauty - the direct expression of the form, and the function of the com., is to the thing itself some characteristics of external a kind of beauty. The traditional a

19、esthetic meaning is actually refers to the traditional beauty contained in the spirit, is said by Li Zehou reason and passion human nature, the aesthetic form of the accumulation of social content. 1be handed down from age to age style and style here refers to those containing the traditional cultur

20、e art form, and because the program and be handed down from age to age and universality. For example, Chinese ancient etiquette building. 2 reproduction of the original ecological pattern. The traditional beauty of form1and form2 and the aesthetic function of the corresponding things related to form

21、 from Le Corbusier absorption and development of gold segmentation examples can be seen clearly, the traditional form of beauty is what is real in design. Although we are not each day to see such a phenomenon, but it is impossible to ignore. 4-3modern beauty beyond design revolution triggered by the

22、 anti traditional Design revolution triggered by the traditional trend of thought 11 decoration decorative worship worship the so-called loaded worship refers to the decoration can be detached from the function of free expansion, fancy coat become the aesthetic main object, even the decoration as th

23、e main design, no decoration design is not design. The development of modern industry and full of decorative and interesting design: first, the contradiction between the manual era that carved the should be large quantities of production machines, only exclusive decoration will have a large number o

24、f cheap products to market. Function of worship function worship the so-called functional worship, refers to the product design according to functional needs rather than decorative needs, in order to meet the students can repel any decoration production machine. Truly realize the design must emphasi

25、ze function and machines for the production of this principle the key figures. The design has two common characteristics: the consciousness to machine production or batch production； two prominent adaptation function thus made succinct. They make the name spread throughout the United States and euro

26、pe. The modernistic design position to accommodate the large industrial production as the premise, emphasize high-volume production, product function is good, cheap, in the final analysis is amenable to function, namely form follows function or form and function of the high degree of unity, the atte

27、ndant Simple and unadorned geometric style is very natural, with Decor worship for the characteristics of the traditional design has also been completely subvert. Forms of worship The form of worship the worship of modernism design can be understood as functionalism design, modern design and good at

28、 coordination function and design of coordinating the relationship between function and form, making them reach a harmonious. Therefore, it is not a pure function, and also not the pure form type. From its structure and aesthetic characteristics, the international style building was eventually repla

29、cing it with the Renaissance tradition is the opposite. 1pop art mass culture is a kind of popular democracy, and machine are combined as one of the culture. 2radical eclecticism postmodernism is a construction led, spread all areas of design, the mainstream style. Postmodernism and modernism of the

30、 fundamental difference in where? In modern simplistic form complex, and therefore does not hesitate to use once abandoned decoration, symbolism, but the decoration is modernism on the basis of additional fee, formation of classical, incongruous contrast effects and seems rather than the exterior or

31、 interior space, resulting in the modern cold coagulation soil box talent showing itself in the. 3 ugly beauty3 ugly beauty ugly is the nature and common phenomenon in human society, it is a violation of the aesthetic standard, hinder the aesthetic consideration, classical beauty ugliness as beauty

32、all the negative state, and humanity evil contact. Classical art basically does not accept ugly, ugly modern art becomes a kind of aesthetic factors, modernist art of ugliness becomes non-negligible role. We can summarize the evolution law of beauty are: first, the ugly can be transformed into a beautiful. Secondly, the beauty and the ugly boundaries are not fixed. To sum up : the proof of design art in the beauty of modernism design challenge, or say to function determines form beyond. Modern