外文翻译---新时期中国水墨动画类型发展

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1、外文原文 Development of the New Chinese Ink Animation Type Abstract: This paper compared several three-dimensional perspective of the characteristics of ink animation and its existence value. Keywords three-dimensional ink animation style of the artistic effect of traditional ink animation 1. Introducti

2、on Ink animation has a special artistic expression with its international glory in a while, this unique native of China has also made numerous animation impressive honor. But since China embarked on the commercialization of creative animation of the road, while the traditional ink animation producti

3、on process because of its complicated and takes a lot of manpower and resources from the commercial art market, the near-extinct traditional ink animation in recent years, China started to enter the low ink animation. Of the twentieth century art digital technology had a huge impact, some artists be

4、gan to explore the operating platform for seeking to create a new form of ink animation, to develop the local animation industry, both to save costs, eliminating the need for photography and repeatedly drawn down the middle of work, but also with animation technology, can be said ink animation in th

5、e new situation of a new development trend. Although the three-dimensional computer animation ink ink from the traditional way of creating animation, but it is the purpose of writing or on the form and follow the characteristics of traditional Chinese ink painting. First, using 3d technology to simu

6、late the effect of Chinese paintings, screen painting, ink pen with emphasis, performance of the thick screen ink water, light, dry, wet, coke properties, with significant effects of ink smudges； Secondly, pay attention to the beauty of artistic conception. Abstract elements to convey a mood, to con

7、vey images of the actual situation and artistically； again in the narrative content, often combined with traditional Chinese ink painting animation culture, into the unique culture of China, the unique art of Chinese classical and elegant, deep temperament on its head. 2.the three-dimensional animat

8、ion and traditional ink ink compared Three-dimensional computer animation in the succession of traditional Chinese ink painting ink is weaker on the more expressive, it and its various creators and creative practices related to ink three-dimensional animation is more to understand the operation of c

9、omputer software producers, and the relative lack of traditional ink painting understanding of painting techniques and style, and the completion of the animation work is also out of the traditional approaches. The traditional ink animation it is based on the artists painting style creation, such as

10、Little Tadpole Looking for Mom with the Qi of the Painting, reed pipe to take the Li Keran brushwork, and the Goose drop-the Jia and blessed Mexican interest. So now is the pursuit of three-dimensional ink animation shape of the surface, it is difficult to achieve a Vivid artistic effect. Ink ink an

11、imation properties in their language to introduce the concept of the film, making time and space art. So that it has as a film aesthetic elements, such as Scene, Montage, long lens, audio. These aesthetic elements take advantage of passive artists to create a line with people thinking of cinema anim

12、ation. Analysis of the traditional performance of ink animation camera language is usually a fixed lens or a push and pull methods, and simple and plain. Digital ink animation to change its operating platform in the creative process with new features, for the more abundant use of the lens, can be se

13、en in deep space walk screen performance, greater use of some long-lens effect, which kinds of elegant illusion of space to express a poetic flow, in which the lens on the expression of space, three-dimensional images than conventional ink ink animation slightly better. Ink composition is a major fe

14、ature animation. The ink in the traditional art of composition, tone, atmosphere and so are very demanding, often a large number of gaps. Three-dimensional effect is achieved with ink is to take into account the composition of traditional painting, the picture in the placement of each element should

15、 be thought through. Three-dimensional technology to comply with the strict principles of Western perspective, and traditional ink painting is a common principle cavalier perspective, it should take note of this model in the space setting, not simply a painting of the scene can mean three-dimensiona

16、l camera made taking into account movement changes, which need to meet the overall effect of exercise ink composition. Dynamic is the computer performance of three-dimensional ink a major feature animation, and meaning is the connotation of the performance of traditional ink animation. Currently, th

17、e use of technical means to create three-dimensional animation of Chinese ink painting of Summer, Hetang moonlight, Lively, etc. In addition to these three-dimensional ink drawing painting animation show the mood, more importantly, the performance of the action the situation, Lively design idea is t

18、o show the atmosphere of a vibrant impressionistic painting, flow lines, pen means vigorous and effective, light melody, the screen blank in place, the use of calligraphy, poetry, seals and other to make white, to reflect a unique aesthetic style of Chinese painting, with shaky camera movement, resu

19、lting in a new visual artistic effect. Story setting. Ink animation story complete with the ability of the performance of its screen time and space constitute the use of the concept of the film, design, animation film footage of the language to interpret Chinese ink paintings, the interpretation of

20、a fresh ink animation, ink animation to develop and move forward, we must As the films creation led to film language as a foil, making the screen composition, the use of color, depth of field to render the main body, and can expand the screen space, more picture information, the Chinese ink animatio

21、n in the world makes the animation world exudes breathtaking charm. 3.more three-dimensional ink animation and three-dimensional animation in Hollywood Analysis of three-dimensional animation and Hollywood animation Ink distinction, from the subject matter, it is the performance of ink animation nar

22、rative more enjoyable fantasy landscape color painting of a more personal touch, by the expressiveness of ink to ink with beautiful poetic financial interest into each screen, the ink is a form of narrative mood, silence in the performance of all, subtle and free and easy, artistic conception, the n

23、arrative style to reveal a profound theme, contains a wealth of philosophical and symbolic significance, so that viewers in the same time to appreciate the spiritual resonance. Hollywood three-dimensional animation, usually anthropomorphic cartoon character or the role of the narrative center, the s

24、cene set off people, pay attention to space-level images, color, simple and gorgeous. Ink animation for bamboo, flute, piano, eagles, fish, water and other images are also quite partial. A lot of ink in the use of the classical image of these ancient, makes the film seem imbued with the ancient rhym

25、e restrained style of painting throughout. More three-dimensional animation of Hollywood movie ideas and language. 4.look three-dimensional ink animation and planning future Ink drawn animation in terms of story and its strong oriental flavor to the performance of Europe is not suitable for the stor

26、y, can be used to show some elements of the plot with Chinese characteristics, setting, relying on traditional Chinese culture in todays fully animated creative potential can also mining. In recent years, strength of the domestic computer animation technology was enhanced, computer technology has be

27、en more popular to draw the background, the rapid three-dimensional and two-dimensional computer animation, with a more perfect production system. Ink to complete the three-dimensional animated shorts such as Summer, Hetang moonlight through the textures, rendering, to simulate the ink painting styl

28、e, the effect is unique. But three-dimensional ink animation is still in early stages of development, are small-scale production cost, the story does not show the traditional ink painting to the depth, and how better to advanced animation techniques combined with traditional Chinese culture, the per

29、formance of Ink This animation features, to the seventies and eighties of last century the brilliant traditional ink painting, there are a lot of room for improvement. So in the new environment, how to improve their own work? First, the development environment suited to their own creative animation

30、software. Any hardware, software, technology updates are due to artists for artistic creation and exploration requirements increase continuously generated, the design of this series of Hollywood production environment more in line with their own creative content. So their animation art to be innovat

31、ive and development must improve their software development capability. At present, there is in the ink animation development renderdancerv2.0 ink rendering engine, capable of regulating the pen, brush, paper and ink rendering of line with the controls to adjust the rendering, or to achieve a more s

32、imple and the desired results. Strengthen the software development and applications for art to bring more convenience to make the environment more large-scale, systematic. Second, the ink is characterized by the animation to convey a mood, how to tell stories, is the key to artistic creation. Ink An

33、imation statements often lack the language and the picture only through a combination of simple stories to convey the meaning, the story setting is the need to appropriate scrutiny. Three-dimensional animation production environment for the ink to provide a richer means of creation, so that the circumstances described in the performance of