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    99中英文双语广播电视编导新闻传播专业毕业设计外文文献翻译成品:电视新闻纪录片的编辑策略

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    99中英文双语广播电视编导新闻传播专业毕业设计外文文献翻译成品:电视新闻纪录片的编辑策略

    1、此文档是毕业设计外文翻译成品(  含英文原文 +中文翻译),无需调整复杂的格式!下载之后直接可用,方便快捷!本文价格不贵 ,也就几十块钱!  外文标题: Editing Strategies in Television News Documentaries 外文作者: Richard J. Schaefer 文献出处 :Journal of Communication .2017.47(4):69 - 88  英文 2178 单词, 12689 字符,中文 3785 汉字。  Editing Strategies in Television News D

    2、ocumentaries Richard J. Schaefer Abstract: This study describes the editing techniques used in four renowned television news documentaries that aired between 1954 and 1982. It is informed by Peirces theories of signs, and realist and symbolic film theory, as well as some of the understandings common

    3、 to broadcast journalists. The analysis attempts to bridge subdisciplinary boundaries to advance an accessible vocabulary for discussing journalistic representational strategies. The prevalence of continuity and thematic editing styles, special transitional effects, audio track synchronization, and

    4、differing cutting rates was quantitatively analyzed and linked to classic film realism and montage strategies. The quantitative findings and a comparative case study analysis of the structural nuances of each documentary illustrate the variety of representational strategies used by network journalis

    5、ts. These findings are discussed in light of analysts assertions that televised reports have become increasingly journalist centered. Key Words: TV documentary,semiotics ,editing strategy,film theory,production techniques For decades, culturally oriented critics have studied the routine practices of

    6、 print and broadcast journalists. Altheide and Snow (1979), Epstein (1973), Glasser and Ettema (1989), McManus (1994), and Tuchman (1972, 1978) examined journalism from the broader context of organizational and professional routines. Their studies provide a functionalist alternative to journalists understandings of news work. The researchers described determinations of news value, attempts to balance sources, and objective styles of representation as efforts to deflect criticism and legitimate news practices. By


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