1、中文 4200字， 3600英文单词， 19500英文字符 文献出处： Taft M. Morphologies and Genealogies: Shaker Furniture and Danish DesignJ. Design & Culture, 2015, 7(3):313-334. Morphologies and Genealogies: Shaker Furniture and Danish Design Maggie Taft ABSTRACT This essay interrogates the influence of Shaker furniture on mid-
2、century Danish design. Though but one among many international and historical referents, the Shaker one was, I argue, crucial to the positive reception and powerful significance of Danish design in the postwar United States. I begin with an analysis of formal resemblance and then contextualize the l
3、egibility and the significance of this resemblance within popular culture. The article aims both to consider the ramifications of design influence beyond the construction of formal genealogies and to advance our historical understanding of mid-century Danish designs structural intervention into mode
4、rnism at large. KEYWORDS: Danish design, Shaker furniture, Index of American Design, morphology, genealogy, Edward Deming and Faith Andrews, Leslie Cheek, Jr., mid-century modern, Modernism In the spring of 2014, Nicolai de Gier and his students from Det Kongelige Danske Kunstakademis Skoler for Ark
5、itektur, Design, og Konservering (The Royal Danish Academy of Fine Arts, Schools of Architecture, Design, and Conservation) exhibited Morphology Stick and Cushion at the Milan Furniture Fair. The students showed class projects combining the stick-chair type with upholstery, as explained by the proje
6、cts mission, to generate innovative ideas (Morphology 2014).In II, Astrid Tolnov and Elise Tessiers simple wooden frame stores beneath its seat a cushion that unfurls and flips up to supply a textured surface pouring over the minimalist con- struction. Johan Jeppesen and Jesper Su Rosenmeiers Stik is a basket-like seat of round stocks and paper cords in which the stick itself is transformed into upholstery. The idea, de Gier explained of the assignment, is to learn from the clas
