1、 基础室内设计基础室内设计展览设计展览设计 Basics Interior designExhibition Design 学 部（院）： 建筑与艺术学院 0 专 业： 艺术设计(环境艺术设计) Basics Interior designExhibition Design P Locker The aim of this book is to provide a better understanding of the complexity of exhibition design, by exploring the role of the exhibition designer as a c
2、reative practitioner serving a multi-billion dollar global industry. Symbiotic and experimental in nature, exhibition design overlaps a wide range of design subjects in order to communicate clearly. In terms of spatial intervention, interior design is its closest relative. Exhibition design is often
3、 a reflection or, indeed, driver of contemporary fashion and style. It is familiar with interior and furniture scale and is concerned with space, form and surface. However, unlike interior design, exhibitions can, when required, stand independently from architecture and see spatial relationships pre
4、dominantly in terms of the opportunities they provide for communication and display. Exhibition designers need to be curious about everything, not least the idea of theming, which is often seen as the interpretive hook on which to hang a story. The theatrical opportunities borrowed from multimedia,
5、sound, lighting design and a range of other exhibition technologies, create interesting opportunities for storytelling through performance. The combination of image and text through large-scale graphic design remains a key method of communication to an increasingly technologically and visually liter
6、ate audience. The easy wealth of access to vast amounts of information have helped to transform the traditional graphic panel hanging on the wall, to interactive, multi-layered and often multi-sensory touch-screen experiences with the capacity to navigate the visitor through complex layers of information. One of the most stimulating challenges for the exhibition designer is the exploration and experimentation involved in the search for the most appropriate communicatio
